{"id":590,"date":"2024-01-25T01:39:58","date_gmt":"2024-01-25T00:39:58","guid":{"rendered":"https:\/\/mateo.mavromatis.org\/?p=590"},"modified":"2024-03-05T17:47:40","modified_gmt":"2024-03-05T16:47:40","slug":"le-funambule-mise-en-scene","status":"publish","type":"post","link":"https:\/\/mateo.mavromatis.org\/index.php\/2024\/01\/25\/le-funambule-mise-en-scene\/","title":{"rendered":"Le Funambule #Mise en sc\u00e8ne"},"content":{"rendered":"<p>En 1957, Jean Genet, \u00e9crit pour un jeune funambule dont il tombe en amour, Abdallah. Ce texte concentre en indication po\u00e9tique l\u2019essence de l\u2019art qui s\u2019exerce en public, celui du funambule, celui du com\u00e9dien. Avec ses mots il donne vie \u00e0 un monstre fantasmatique, artiste ultime, en \u00e9quilibre sur le fil du hors sc\u00e8ne et du sur sc\u00e8ne, de la vie et de la mort.<\/p>\n<p>Une mise voix de ce texte avec dix-neuf comm\u00e9dien.ne.s issues du conservatoire d\u2019art dramatique de Marseille :<br \/>\nAnika<br \/>\nMarie<br \/>\nVirginie<br \/>\nAlice<br \/>\nMagalie<br \/>\nMathilde<br \/>\nMarianne<br \/>\nCecil<br \/>\nTommy<br \/>\nMarianne<br \/>\nMargaux<br \/>\nLaurent<br \/>\nJuliette<br \/>\nGarance<br \/>\nJonah<br \/>\nYohan<br \/>\nNa\u00efri<br \/>\nImane<br \/>\nMarie Pomeline<\/p>\n<p>Composition musical par Guilain <\/p>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-590-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/mateo.mavromatis.org\/wp-content\/uploads\/2024\/03\/Genet-25012024-01.25.mp3?_=1\" \/><a href=\"https:\/\/mateo.mavromatis.org\/wp-content\/uploads\/2024\/03\/Genet-25012024-01.25.mp3\">https:\/\/mateo.mavromatis.org\/wp-content\/uploads\/2024\/03\/Genet-25012024-01.25.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"<p>En 1957, Jean Genet, \u00e9crit pour un jeune funambule dont il tombe en amour, Abdallah. Ce texte concentre en indication po\u00e9tique l\u2019essence de l\u2019art qui s\u2019exerce en public, celui du funambule, celui du com\u00e9dien. Avec ses mots il donne vie \u00e0 un monstre fantasmatique, artiste ultime, en \u00e9quilibre sur le fil du hors sc\u00e8ne et [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":591,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/posts\/590"}],"collection":[{"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/comments?post=590"}],"version-history":[{"count":3,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/posts\/590\/revisions"}],"predecessor-version":[{"id":597,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/posts\/590\/revisions\/597"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/media\/591"}],"wp:attachment":[{"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/media?parent=590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/categories?post=590"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/tags?post=590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}