{"id":623,"date":"2024-04-17T07:51:20","date_gmt":"2024-04-17T05:51:20","guid":{"rendered":"https:\/\/mateo.mavromatis.org\/?p=623"},"modified":"2024-07-25T07:55:28","modified_gmt":"2024-07-25T05:55:28","slug":"interieur-laventure-japonaise-de-claude-regy","status":"publish","type":"post","link":"https:\/\/mateo.mavromatis.org\/index.php\/2024\/04\/17\/interieur-laventure-japonaise-de-claude-regy\/","title":{"rendered":"Int\u00e9rieur, l\u2019aventure japonaise de Claude R\u00e9gy #article"},"content":{"rendered":"<p>En 2013, le metteur en sc\u00e8ne japonais Satoshi Miyagi et son dramaturge, Yoshiji Yokoyama invitent le metteur en sc\u00e8ne fran\u00e7ais Claude R\u00e9gy \u00e0 cr\u00e9er la pi\u00e8ce de son choix. Ce sera <em>Int\u00e9rieur<\/em> de Maurice Maeterlinck. Cette mise en jeu d\u2019une troupe de th\u00e9\u00e2tre japonaise par un metteur en sc\u00e8ne fran\u00e7ais offre une ouverture sur le th\u00e9\u00e2tre de Claude R\u00e9gy et sur un pan de la sc\u00e8ne japonaise contemporaine. <\/p>\n<p>Article paru dans La Revue des lettres modernes 2024 \u2013 3. L\u2019Asie sur la sc\u00e8ne<\/p>\n<p><a href=\"https:\/\/classiques-garnier.com\/export\/html\/la-revue-des-lettres-modernes-2024-3-l-asie-sur-la-scene-interieur-l-aventure-japonaise-de-claude-regy.html\">https:\/\/classiques-garnier.com\/export\/html\/la-revue-des-lettres-modernes-2024-3-l-asie-sur-la-scene-interieur-l-aventure-japonaise-de-claude-regy.html<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En 2013, le metteur en sc\u00e8ne japonais Satoshi Miyagi et son dramaturge, Yoshiji Yokoyama invitent le metteur en sc\u00e8ne fran\u00e7ais Claude R\u00e9gy \u00e0 cr\u00e9er la pi\u00e8ce de son choix. Ce sera Int\u00e9rieur de Maurice Maeterlinck. Cette mise en jeu d\u2019une troupe de th\u00e9\u00e2tre japonaise par un metteur en sc\u00e8ne fran\u00e7ais offre une ouverture sur le [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":624,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"_links":{"self":[{"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/posts\/623"}],"collection":[{"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/comments?post=623"}],"version-history":[{"count":2,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/posts\/623\/revisions"}],"predecessor-version":[{"id":626,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/posts\/623\/revisions\/626"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/media\/624"}],"wp:attachment":[{"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/media?parent=623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/categories?post=623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/tags?post=623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}