{"id":724,"date":"2026-01-31T04:22:51","date_gmt":"2026-01-31T03:22:51","guid":{"rendered":"https:\/\/mateo.mavromatis.org\/?p=724"},"modified":"2026-03-30T04:46:41","modified_gmt":"2026-03-30T02:46:41","slug":"thearts3-du-bleu-aux-larmes","status":"publish","type":"post","link":"https:\/\/mateo.mavromatis.org\/index.php\/2026\/01\/31\/thearts3-du-bleu-aux-larmes\/","title":{"rendered":"Th\u00e9ARTS#3 : Du bleu aux larmes"},"content":{"rendered":"<p>Apr\u00e8s un second rendez-vous consacr\u00e9 aux ombres, Th\u00e9Arts revient au Ch\u00e2teau Bor\u00e9ly pour une troisi\u00e8me travers\u00e9e sensible entre sc\u00e8ne et mus\u00e9e.<\/p>\n<p>Cette nouvelle rencontre s\u2019articule autour de l\u2019exposition Infiniment bleu et du spectacle Lacrima de Caroline Nguyen. Au c\u0153ur des textiles, des pigments et des mati\u00e8res, le bleu devient ici territoire d\u2019\u00e9motions. Le bleu peut-il \u00eatre le refuge de nos secrets ?<\/p>\n<p>Entre les po\u00e8mes de Mich\u00e8le Finck, les \u00e9clats de mode de Lo\u00efc Prigent et les r\u00e9sonances de la sc\u00e8ne, un instant suspendu se compose d\u00e9licat immersif partag\u00e9.<\/p>\n<p>Th\u00e9Arts est un espace de passages, un lieu o\u00f9 chaque spectateur d\u00e9couvre sa propre mani\u00e8re de cr\u00e9er son aventure int\u00e9rieure.<\/p>\n<p>Michel Finck, Connaissance par les Larmes, Arfuyen, 2017.<\/p>\n<p>Mise en espace : Mat\u00e9o Mavromatis<br \/>\nCom\u00e9dienne : Garance Guillen-Minier<br \/>\nPianiste : Guilain Magen<br \/>\nToutes les musiques de la performance ont \u00e9t\u00e9 compos\u00e9es par Guilain Magen.<\/p>\n<div style=\"padding:75.00% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/1178301306?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479%2Fembed\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\"><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Apr\u00e8s un second rendez-vous consacr\u00e9 aux ombres, Th\u00e9Arts revient au Ch\u00e2teau Bor\u00e9ly pour une troisi\u00e8me travers\u00e9e sensible entre sc\u00e8ne et mus\u00e9e. Cette nouvelle rencontre s\u2019articule autour de l\u2019exposition Infiniment bleu et du spectacle Lacrima de Caroline Nguyen. Au c\u0153ur des textiles, des pigments et des mati\u00e8res, le bleu devient ici territoire d\u2019\u00e9motions. Le bleu peut-il [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":725,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/posts\/724"}],"collection":[{"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/comments?post=724"}],"version-history":[{"count":1,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/posts\/724\/revisions"}],"predecessor-version":[{"id":727,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/posts\/724\/revisions\/727"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/media\/725"}],"wp:attachment":[{"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/media?parent=724"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/categories?post=724"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mateo.mavromatis.org\/index.php\/wp-json\/wp\/v2\/tags?post=724"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}